Letters to the Editor by Michael Swanwick
 

 

Dear Contributor,

We are pleased to be publishing your work in Asimov’s. To do so, however, we will need updated information for the author’s blurb that will accompany it. Please send whatever biographical and bibliographical information that we can use along with the signed contracts in the enclosed envelope as soon as possible. Thank you.

We look forward to hearing from you.

Sincerely,

Sheila Williams
Executive Editor

December 19, 1988

Ms. Sheila Williams
Asimov’s Science Fiction
475 Park Avenue South
New York, NY 10016

Dear Sheila:

I am pleased that you are publishing "The Dragon Line" in Asimov’s. My updated bio follows:

Along with H.G. Wells, Michael Swanwick is generally thought of as one of the two founding fathers of science fiction. Where Wells brought a high literary sensibility and seriousness of purpose to the field, however, Swanwick is better known for his wild extrapolative ingenuity and slapdash plots. Many inventions we now take for granted—the land submarine, the steam tricycle, and the nasal decongestant, to name but a few—appeared first within the pages of his "nouvelles romances electrique."

Swanwick’s works have been acclaimed by many of our finest drinkers. They include Around the World in a Bassoon, Voyage to the Bottom of the Ground, The Electric Chaise (part of the "Unspeakable Voyages" series), Dirigible Mania! and The Interurban Dreadnaught. He has also written a penetrating series of monographs exploring the fiction of Lionel Fanthorpe. In his spare time he likes to dress up as a bat and pummel wrongdoers.

There you go. Have a very merry Christmas, okay? Love to all.

Best,

Michael

 

February 5, 1992

Dear Sheila,

As requested, here is my updated bio:

Larger than a breadbox and wittier than all of Wilmington, Delaware, put together, Michael Swanwick is most widely famed and esteemed for the same baffling line of gaudy persiflage that once briefly resulted in his being incorrectly listed in the Encyclopedia Britannica as the twenty-second President of the United States, less (but still significantly) widely famed and esteemed for a scrupulously painstaking research style in consequence of which warrants are still outstanding in the several states featured in his justly acclaimed novelette, "The Plagues of August," and without question least widely famed and esteemed for a purported and all-but-obsessive tendency to fall into the sort of run-on sentence that might, though so far it has not, be compared to a single snowflake carved with astonishing but pointless skill into an endlessly recursive filigree. He denies everything.

That’s all. Take good care, hear? I’ll be writing you soon.

All best,

Michael

 

October 21, 1992

 

Dear Sheila,

As per your recent request, here is my updated bio:

Germany’s most beloved cartoon mouse, Michael Swanwick, was created by Jewish slave animators in the notorious Peenemunde Kartoonwerks in 1934. Fleeing the consequences of history, he surfaced in postwar Argentina, where a combination of plastic surgery and intensive genetic reprogramming allowed him to move to California and cut a complex series of deals with right-wing arms manufacturers. The original acetates were all bought up and overdubbed in English and a false history back-created that quickly convinced over 98 percent of the American public he was an indigenous product. He has since branched out into amusement parks, live cinema, and the establishment and dictation of moral standards. He is currently at work on a national program of neighborhood ethical hygiene squads.

No, no, don’t say that! . . . Contracts enclosed. Take good care, yes?

All best,

Michael

 

July 28, 1993

Dear Sheila,

Here, as requested-by-Xeroxed-form-letter, is updated bio material (I even saved you the trouble of writing it up in intro form) for "The Mask":

Ascended master Michael Swanwick, having transcended the gross material sphere, now exists in a bodiless state of spiritual perfection and perpetual bliss. He is currently a being of pure awareness who sheds the Buddha-light on the grateful denizens of literally thousands of worlds. However, he still expects to be paid promptly. You wouldn’t want to stiff an ascended master. He’s got the power to make you sorry you ever thought of it. You want to wake up one morning and find yourself in the body of a migrant laborer in the heart of Pennsylvania’s mushroom country? Or maybe an arthritic goat? He could do it. Don’t kid yourself. These Bodhisattvas-manqué are mean mothers. That’s why we wrote the check for this story and sent it out STAT!

 

Not that I would do that to you, Sheila. . . !

All best,

Michael

January 13, 1998

Dear Editor:

Your corrected galleys/proofs for my Asimov’s story/poem are enclosed. While I regret having to use a Xeroxed form letter—I don’t like them my- self !— the press of constant publication has forced me to this pass. However, in my experience galleys/proofs for stories/poems inevitably include one or more of the following items.

Stegosaurus has been changed to Triceratops on the rationale that they would actually use chronologically local blood. Triceratops being the common as well as the proper name, it does not need to be italicized.

Since Carnosauria is now a disputed clade, I’ve revised all reference to carnosaurs. A pity, though. Carnosaur is a lovely word.

According to The Complete Dinosaur (Farlow & Brett-Surman, eds., Indiana University Press), which despite the title is the closest thing there is to an authoritative text, dromaeosaur is the proper spelling, and I have so restored it.

Finally, allow me to thank you for buying a Michael Swanwick™ story. We here in the Production Department think of our purchasers not as gullible marks, but rather as members of our family of fine prose products. Remember, tripe is available at a slightly reduced rate.

All best,

Michael Swanwick
Senior Executive Writer

February 12, 1998

Dear Sheila,

I know you don’t like these form letters, but WHOSE FAULT IS IT ? Every month you buy another god-damned story and then expect me to have new biographical data for you. There is no new biographical data—nothing new ever happens to me because I HAVE NO LIFE ANY MORE! I just sit at my desk and write you stories! That’s all! There ain’t no more! You’ve taken it all! Rant! Snort! Shriek!

(Pant! Pant! Pant!)

All right. Okay. I’m back in control again. Here’s the data you
requested:

Though Michael Swanwick usually has Kellogg’s Almond Crunch cereal for breakfast, he recently stopped at the Dunkin Donuts for two Boston Cremes. Since he last appeared in Asimov’s he’s been to the post office almost every day and often found mail waiting for him there. Sometimes he stares out the window of his office at the parking lot adjacent his house. He is currently working on a story for our next issue.

 

And that pretty much says it all. Well, and hoping you are the same. . . .

All best,

Michael

March 5, 1998

Dear Sheila:

Once again, it’s that time of month (well, it’s every twenty-one days, technically, but "tritenight" doesn’t have the same ring to it) when I have to let you know how my biography has changed since last you bought a story from me.

And what a fabulous twenty-one days it has been! Since last we communicated, I have achieved full spiritual masterhood and been recognized by the Dalai Lama and the ascended masters as the one true Western Bodhisattva. My selfless labors on your behalf, writing fabulous short fiction for money that wouldn’t keep a dog alive, were a significant factor in my elevation. There was even talk of my transcending the material plane entirely and going straight to Nirvana. Indeed, I was tempted. But well I knew that your need was greater than mine.

Such is my humility. So great is my love for science fiction.

That’s all. Be sure to mention that Jack Faust was published last year to ringing acclaim, and that as of when the magazine went to press it was up for the BSFA Award. Also that I’m writing a new novel and that it’s the very best kind of novel, one that breaks your heart in the first chapter and heals it in the last, and in between fills your mind with joyous wonder.

Nam Myoho Renge Kyo,

Michael

March 20, 1998

Dear Sheila:

Sweet Jesus, have three weeks passed so quickly? Time for a new identity again. Let’s see. (Mutter, mutter.) Okay, howzabout this:

Born on a mountaintop in Tennessee,

Kilt him a b’ar when he was only three . . .

No, I did that in January. Lemme think. Okay, here we go:

Michael Swanwick is one of the most brilliant and varied writers we know and so popular that we’ve completely lost track of exactly how many awards he’s currently up for! Lately, he’s been prolific as well, turning out a dazzling array of fiction, ranging from hard science to weird fantasy, from the bizarre (who else but Michael would set a story on a planet-sized grasshopper?) to the darkly tragic. Here, in yet another change of pace, he presents us with a collection of nine effortless—effortless for him, that is!—short-shorts, that are by turn humorous, horrific, and deeply moving. We can hardly wait to see what he comes up with next!!!

There. That’ll hold the little bastards for another month. Hey, is this mike still on?

Yours for better children’s TV,

Michael

July 7, 1998

Dear Sheila:

Well, I imagine you’ve already heard the splendid news about my creating my own religion! Yes, Pseudoscientology™ is the ladder that will take me out of the dank marsh of genre and into the glorious spiritual light of multinational tax-free incorporation. No doubt you’ll want to include the Church’s mailing address and donation coupon in your blurb.

But that’s not all I’m up to! I’ve spent elements of the summer digging for fossils in China (my worldview-revising caudipteryxes and sinosauropteryxes are currently on view in National Geographic’s Explorer’s Hall in Washington, D.C.), relocating my legal address so I can run for the Senate in the next election (look out, Trent Lott!), and setting simultaneous world records in weight lifting and figure skating—the first human ever to excel in both sports. Not bad for a retired president of the National Reserve Bank.

Beside these accomplishments, my Hugo nomination for Jack Faust, my Nebula and World Fantasy Awards, my twenty-plus nominations overall for various major awards (so many, I’ve lost count!), the incredible productivity I’ve enjoyed this past year turning out story after story, and even the exciting new novel I’m working on right now—all these shrink to nothing. Your disk is enclosed.

All best,

Michael

June 29, 1999

Dear Sheila:

Biographical information. I have no new biographical information. I don’t actually do anything, just sit here in the unheated cardboard box that serves me as an office and write story after story to feed into the monstrous maw of the literary-industrial complex whose lackey you are, typing as the blood runs down the tattered stumps of what once were my fingers, deep into the night, feeding my family nothing but crusts of stale bread. . . . No, wait. That’s Fyodor Dostoevski. I keep getting the two of us confused.

I’ll try again. I’ve just sold a new novel about dinosaurs, time travel, and the ultimate fate of humanity, to Avon Books. I’ve been writing like a banshee, so many stories I lost track of their number. And I’m going to be GOH at the national Swedish SF convention in October.

Other than that, pretty much nothing.

All best,

Michael

 

September 30, 2000

Dear Sheila:

Stop. Stop. For the love of God. . . . You’ve inflicted that dread Xerox on me so many times now, I’ve completely forgotten who I am. Did you ever see the movie Zelig, about the man with so slight an identity that he becomes a human chameleon, changing into whatever those nearest desire him to be? That’s what you’ve done to me.

In the last week I’ve been a guest DJ for Snoop Doggy Dogg, a radical lesbian terrorist in the Hothead Paisan Brigade, a tax accountant for H&R Block, and an advisor on manuscript preservation for the Vatican Library. You’ve ruined my life!

On the positive side, you can expect new stories any day now from James Patrick Kelly, Connie Willis, Walter Jon Williams, L. Timmel Duchamp, Mary Rosenblum, John Kessel, Ursula K. LeGuin. . . .

Yours disjointedly,

The Collective
Writers of
Asimov’s

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Copyright

"Letters to the Editor " by Michael Swanwick, copyright © 2001 by Michael Swanwick, used by permission of the author.