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All Seated on the Ground
by Connie Willis

Connie Willis first appeared in Asimov’s in 1982 with two award-winning stories: “Fire Watch” and “A Letter from the Clearys,” and she’s been an Asimov’s writer (and award winner) ever since, with such stories as “Even the Queen” (April 1992), “The Last of the Winnebagos” (July 1988), and “The Winds of Marble Arch” (October/ November 1999). She’s also written a number of Christ-mas stories for us, including this one about aliens, Christmas carols, Victoria’s Secret, and church choirs. She’s an expert on that last topic, having sung in church choirs, learned all the verses to “While Shepherds Watched Their Flocks by Night” and “Santa Claus Is Coming to Town,” and chaperoned middle-school choirs on more trips to the mall than she likes to remember. Connie’s most recent collection, The Winds of Marble Arch and Other Stories, was published by Subterranean Press last August. She is currently at work on her next novel, All Clear.

 

 

I’d always said that if and when the aliens actually landed, it would be a let-down. I mean, after War of the Worlds, Close Encounters, and E.T., there was no way they could live up to the image in the public’s mind, good or bad.

I’d also said that they would look nothing like the aliens of the movies, and that they would not have come to A) kill us, B) take over our planet and enslave us, C) save us from ourselves à la The Day the Earth Stood Still, or D) have sex with Earthwomen. I mean, I realize it’s hard to find someone nice, but would aliens really come thousands of light-years just to find a date? Plus, it seemed just as likely they’d be attracted to wart hogs. Or yucca. Or air-conditioning units.

I’ve also always thought A) and B) were highly unlikely since imperialist invader types would probably be too busy invading their next-door neighbors and being invaded by other invader types to have time to go after an out-of-the-way place like Earth, and as to C), I’m wary of people or aliens who say they’ve come to save you, as witness Reverend Thresher. And it seemed to me that aliens who were capable of building the spaceships necessary to cross all those light-years would necessarily have complex civilizations and therefore motives for coming more compliated than merely incinerating Washington or phoning home.

What had never occurred to me was that the aliens would arrive, and we still wouldn’t know what those motives were after almost nine months of talking to them.

Now I’m not talking about an arrival where the UFO swoops down in the Southwest in the middle of nowhere, mutilates a few cows, makes a crop circle or two, abducts an extremely unreliable and unintelligent-sounding person, probes them in embarrassing places, and takes off again. I’d never believed the aliens would do that either, and they didn’t, although they did land in the southwest, sort of.

They landed their spaceship in Denver, in the middle of the DU campus, and marched—well, actually marched is the wrong word; the Altairi’s method of locomotion is somewhere between a glide and a waddle—straight up to the front door of University Hall in classic “Take me to your leader” fashion.

And that was it. They (there were six of them) didn’t say, “Take us to your leader!” or “One small step for aliens, one giant leap for alienkind,” or even, “Earthmen, hand over your females.” Or your planet. They just stood there.

And stood there. Police cars surrounded them, lights flashing. TV news crews and reporters pointed cameras at them. F-16’s roared overhead, snapping pictures of their spaceship and trying to determine whether A) it had a force field, or B) weaponry, and C) they could blow it up (they couldn’t). Half the city fled to the mountains in terror, creating an enormous traffic jam on I-70, and the other half drove by the campus to see what was going on, creating an enormous traffic jam on Evans.

The aliens, who by now had been dubbed the Altairi because an astronomy professor at DU had announced they were from the star Altair in the constellation Aquila (they weren’t), didn’t react to any of this, which apparently convinced the president of DU they weren’t going to blow up the place à la Independence Day. He came out and welcomed them to Earth and to DU.

They continued to stand there. The mayor came and welcomed them to Earth and to Denver. The governor came and welcomed them to Earth and to Colorado, assured everyone it was perfectly safe to visit the state, and implied the Altairi were just the latest in a long line of tourists who had come from all over to see the magnificent Rockies, though that seemed unlikely since they were facing the other way, and they didn’t turn around, even when the governor walked past them to point at Pike’s Peak. They just stood there, facing University Hall.

They continued to stand there for the next three weeks, through an endless series of welcoming speeches by scientists, State Department officials, foreign dignitaries, and church and business leaders, and an assortment of weather, including a late April snowstorm that broke branches and power lines. If it hadn’t been for the expressions on their faces, everybody would have assumed the Altairi were plants.

But no plant ever glared like that. It was a look of utter, withering disapproval. The first time I saw it in person, I thought, oh, my God, it’s Aunt Judith.

She was actually my father’s aunt, and she used to come over once a month or so, dressed in a suit, a hat, and white gloves, and sit on the edge of a chair and glare at us, a glare that drove my mother into paroxysms of cleaning and baking whenever she found out Aunt Judith was coming. Not that Aunt Judith criticized Mom’s housekeeping or her cooking. She didn’t. She didn’t even make a face when she sipped the coffee Mom served her or draw a white gloved finger along the mantelpiece, looking for dust. She didn’t have to. Sitting there in stony silence while my mother desperately tried to make conversation, her entire manner indicated disapproval. It was perfectly clear from that glare of hers that she considered us untidy, ill-mannered, ignorant, and utterly beneath contempt.

Since she never said what it was that displeased her (except for the occasional, “Properly brought-up children do not speak unless spoken to”), my mother frantically polished silverware, baked petits four, wrestled my sister Tracy and me into starched pinafores and patent-leather shoes and ordered us to thank Aunt Judith nicely for our birthday presents (a card with a dollar bill in it), and scrubbed and dusted the entire house to within an inch of its life. She even redecorated the entire living room, but nothing did any good. Aunt Judith still radiated disdain.

It would wilt even the strongest person. My mother frequently had to lie down with a cold cloth on her forehead after a visit from Aunt Judith, and the Altairi had the same effect on the dignitaries and scientists and politicians who came to see them. After the first time, the governor refused to meet with them again, and the president, whose polls were already in the low twenties and who couldn’t afford any more pictures of irate citizens, refused to meet with them at all.

Instead he appointed a bipartisan commission, consisting of representatives from the Pentagon, the State Department, Homeland Security, the House, the Senate, and FEMA, to study them and find a way to communicate with them, and then, after that was a bust, a second commission consisting of experts in astronomy, anthropology, exobiology, and communications, and then a third, consisting of whoever they were able to recruit and who had anything resembling a theory about the Altairi or how to communicate with them, which is where I come in. I’d written a series of newspaper columns on aliens both before and after the Altairi arrived. (I’d also written columns on tourists, driving-with-cellphones, the traffic on I-70, the difficulty of finding any nice men to date, and my Aunt Judith.)

I was recruited in late November to replace one of the language experts, who quit “to spend more time with his wife and family.” I was picked by the chair of the commission, Dr. Morthman, (who clearly didn’t realize that my columns were meant to be humorous), but it didn’t matter, since he had no intention of listening to me, or to anyone else on the commission, which at that point consisted of three linguists, two anthropologists, a cosmologist, a meteorologist, a botanist (in case they were plants after all), experts in primate, avian, and insect behavior (in case they were one of the above), an Egyptologist (in case they turned out to have built the Pyramids), an animal psychic, an Air Force colonel, a JAG lawyer, an expert in foreign customs, an expert in non-verbal communications, a weapons expert, Dr. Morthman (who as far as I could see, wasn’t an expert in anything), and, because of our proximity to Colorado Springs, the head of the One True Way Maxichurch, Reverend Thresher, who was convinced the Altairi were a herald of the End Times. “There is a reason God had them land here,” he said. I wanted to ask him why, if that was the case, they hadn’t landed in Colorado Springs, but he wasn’t a good listener either.

The only progress these people and their predecessors had made by the time I joined the commission was to get the Altairi to follow them various places, like in out of the weather and into the various labs that had been set up in University Hall for studying them, although when I saw the videotapes, it wasn’t at all clear they were responding to anything the commission said or did. It looked to me like following Dr. Morthman and the others was their own idea, particularly since at nine o’clock every night they turned and glided/waddled back outside and disappeared into their ship.

The first time they did that, everyone panicked, thinking they were leaving. “Aliens Depart. Are They Fed Up?” the evening news logo read, a conclusion which I felt was due to their effect on people rather than any solid evidence. I mean, they could have gone home to watch Jon Stewart on The Daily Show, but even after they re-emerged the next morning, the theory persisted that there was some sort of deadline, that if we didn’t succeed in communicating with them within a fixed amount of time, the planet would be reduced to ash. Aunt Judith had always made me feel exactly the same way, that if I didn’t measure up, I was toast.

But I never did measure up, and nothing in particular happened, except she stopped sending me birthday cards with a dollar in them, and I figured if the Altairi hadn’t obliterated us after a few conversations with Reverend Thresher (he was constantly reading them passages from Scripture and trying to convert them), they weren’t going to.

But it didn’t look like they were going to tell us what they were doing here, either. The commission had tried speaking to them in nearly every language, including Farsi, Navajo code-talk, and Cockney slang. They had played them music, drummed, written out greetings, given them several Power Point presentations, text-messaged them, and showed them the Rosetta Stone. They’d also tried Ameslan and pantomime, though it was obvious the Altairi could hear. Whenever someone spoke to them or offered them a gift (or prayed over them), their expression of disapproval deepened to one of utter contempt. Just like Aunt Judith.

By the time I joined the commission, it had reached the same state of desperation my mother had when she redecorated the living room and had decided to try to impress the Altairi by taking them to see the sights of Denver and Colorado, in the hope they’d react favorably.

“It won’t work,” I said. “My mother put up new drapes and wallpaper, and it didn’t have any effect at all,” but Dr. Morthman didn’t listen.

We took them to the Denver Museum of Art and Rocky Mountain National Park and the Garden of the Gods and a Broncos game. They just stood there, sending out waves of disapproval.

Dr. Morthman was undeterred. “Tomorrow we’ll take them to the Denver Zoo.”

“Is that a good idea?” I asked. “I mean, I’d hate to give them ideas,” but Dr. Morthman didn’t listen.

Luckily, the Altairi didn’t react to anything at the zoo, or to the Christmas lights at Civic Center or to the Nutcracker ballet. And then we went to the mall.

 

By that point, the commission had dwindled down to seventeen people (two of the linguists and the animal psychic had quit), but it was still a large enough group of observers that the Altairi ran the risk of being trampled in the crowd. Most of the members, however, had stopped going on the field trips, saying they were “pursuing alternate lines of research” that didn’t require direct observation, which meant they couldn’t stand to be glared at the whole way there and back in the van.

So the day we went to the mall, there were only Dr. Morthman, the aroma expert Dr. Wakamura, Reverend Thresher, and I. We didn’t even have any press with us. When the Altairi’d first arrived, they were all over the TV networks and CNN, but after a few weeks of the aliens doing nothing, the networks had shifted to showing more exciting scenes from Alien, Invasion of the Body Snatchers, and Men in Black II, and then completely lost interest and gone back to Paris Hilton and stranded whales. The only photographer with us was Leo, the teenager Dr. Morthman had hired to videotape our outings, and as soon as we got inside the mall, he said, “Do you think it’d be okay if I ducked out to buy my girlfriend’s Christmas present before we start filming? I mean, face it, they’re just going to stand there.”

He was right. The Altairi glide-waddled the length of several stores and then stopped, glaring impartially at The Sharper Image and Gap window displays and the crowds who stopped to gawk at the six of them and who then, intimidated by their expressions, averted their eyes and hurried on.

The mall was jammed with couples loaded down with shopping bags, parents pushing strollers, children, and a mob of middle-school girls in green choir robes apparently waiting to sing. The malls invited school and church choirs to come and perform this time of year in the food court. The girls were giggling and chattering, a toddler was shrieking, “I don’t want to!”, Julie Andrews was singing Joy to the World on the piped-in Muzak, and Reverend Thresher was pointing at the panty-, bra-, and wing-clad mannequins in the window of Victoria’s Secret and saying, “Look at that! Sinful!”

“This way,” Dr. Morthman, ahead of the Altairi, said, waving his arm like the leader of a wagon train. “I want them to see Santa Claus,” and I stepped to the side to get around a trio of teenage boys walking side by side who’d cut me off from the Altairi.

There was a sudden gasp, and the mall went quiet except for the Muzak. “What—?” Dr. Morthman said sharply, and I pushed past the teenage boys to see what had happened.

The Altairi were sitting calmly in the middle of the space between the stores, glaring. Fascinated shoppers had formed a circle around them, and a man in a suit who looked like the manager of the mall was hurrying up, demanding, “What’s going on here?”

“This is wonderful,” Dr. Morthman said. “I knew they’d respond if we just took them enough places.” He turned to me. “You were behind them, Miss Yates. What made them sit down?”

“I don’t know,” I said. “I couldn’t see them from where I was. Did—?”

“Go find Leo,” he ordered. “He’ll have it on tape.”

I wasn’t so sure of that, but I went to look for him. He was just coming out of Victoria’s Secret, carrying a small bright pink bag. “Meg, what happened?” he asked.

“The Altairi sat down,” I said.

“Why?”

“That’s what we’re trying to find out. I take it you weren’t filming them?”

“No, I told you, I had to buy my girlfriend—jeez, Dr. Morthman will kill me.” He jammed the pink bag in his jeans pocket. “I didn’t think—”

“Well, start filming now,” I said, “and I’ll go see if I can find somebody who caught it on their cellphone camera.” With all these people taking their kids to see Santa, there was bound to be someone with a camera. I started working my way around the circle of staring spectators, keeping away from Dr. Morthman, who was telling the mall manager he needed to cordon off this end of the mall and everyone in it.

“Everyone in it?” the manager gulped.

“Yes, it’s essential. The Altairi are obviously responding to something they saw or heard—”

“Or smelled,” Dr. Wakamura put in.

“And until we know what it was, we can’t allow anyone to leave,” Dr. Morthman said. “It’s the key to our being able to communicate with them.”

“But it’s only two weeks till Christmas,” the mall manager said. “I can’t just shut off—”

“You obviously don’t realize that the fate of the planet may be at stake,” Dr. Morthman said.

I hoped not, especially since no one seemed to have caught the event on film, though they all had their cell phones out and pointed at the Altairi now, in spite of their glares. I looked across the circle, searching for a likely parent or grandparent who might have—

The choir. One of the girls’ parents was bound to have brought a videocamera along. I hurried over to the troop of green-robed girls. “Excuse me,” I said to them, “I’m with the Altairi—”

Mistake. The girls instantly began bombarding me with questions. “Why are they sitting down?”

“Why don’t they talk?”

“Why are they always so mad?”

“Are we going to get to sing? We didn’t get to sing yet.”

“They said we had to stay here. How long? We’re supposed to sing over at Flatirons Mall at six o’clock.”

“Are they going to get inside us and pop out of our stomachs?”

“Did any of your parents bring a videocamera?” I tried to shout over their questions, and when that failed, “I need to talk to your choir director.”

“Mr. Ledbetter?”

“Are you his girlfriend?”

“No,” I said, trying to spot someone who looked like a choir director type. “Where is he?”

“Over there,” one of them said, pointing at a tall, skinny man in slacks and a blazer. “Are you going out with Mr. Ledbetter?”

“No,” I said, trying to work my way over to him.

“Why not? He’s really nice.”

“Do you have a boyfriend?”

“No,” I said as I reached him. “Mr. Ledbetter? I’m Meg Yates. I’m with the commission studying the Altairi—”

“You’re just the person I want to talk to Meg,” he said.

“I’m afraid I can’t tell you how long it’s going to be,” I said. “The girls told me you have another singing engagement at six o’clock.”

“We do, and I’ve got a rehearsal tonight, but that isn’t what I wanted to talk to you about.”

“She doesn’t have a boyfriend, Mr. Ledbetter.”

I took advantage of the interruption to say, “I was wondering if anyone with your choir happened to record what just happened on a videocamera or a—”

“Probably. Belinda,” he said to the one who’d told him I didn’t have a boyfriend, “go get your mother.” She took off through the crowd. “Her mom started recording when we left the church. And if she didn’t happen to catch it, Kaneesha’s mom probably did. Or Chelsea’s dad.”

“Oh, thank goodness,” I said. “Our cameraman didn’t get it on film, and we need it to see what triggered their action.”

“What made them sit down, you mean?” he said. “You don’t need a video. I know what it was. The song.”

“What song?” I said. “A choir wasn’t singing when we came in, and anyway, the Altairi have already been exposed to music. They didn’t react to it at all.”

“What kind of music? Those notes from Close Encounters?

“Yes,” I said defensively, “and Beethoven and Debussy and Charles Ives. A whole assortment of composers.”

“But instrumental music, not vocals, right? I’m talking about a song. One of the Christmas carols on the piped-in Muzak. I saw them sit down. They were definitely—”

“Mr. Ledbetter, you wanted my mom?” Belinda said, dragging over a large woman with a videocam.

“Yes,” he said. “Mrs. Carlson, I need to see the video you shot of the choir today. From when we got to the mall.”

She obligingly found the place and handed it to him. He fast-forwarded a minute. “Oh, good, you got it,” he said, rewound, and held the camera so I could see the little screen. “Watch.”

The screen showed the bus with “First Presbyterian Church” on its side, the girls getting off, the girls filing in the mall, the girls gathering in front of Crate and Barrel, giggling and chattering, though the sound was too low to hear what they were saying. “Can you turn the volume up?” Mr. Ledbetter said to Mrs. Carlson, and she pushed a button.

The voices of the girls came on: “Mr. Ledbetter, can we go to the food court afterward for a pretzel?”

“Mr. Ledbetter, I don’t want to stand next to Heidi.”

“Mr. Ledbetter, I left my lip gloss on the bus.”

“Mr. Ledbetter—”

The Altairi aren’t going to be on this, I thought. Wait, there, past the green-robbed girls, was Dr. Morthman and Leo with his videocamera and then the Altairi. They were just glimpses, though, not a clear view. “I’m afraid—” I said.

“Shh,” Mr. Ledbetter said, pushing down on the volume button again, “listen.”

He had cranked the volume all the way up. I could hear Reverend Thresher saying, “Look at that! It’s absolutely disgusting!”

“Can you hear the Muzak, Meg?” Mr. Ledbetter asked.

“Sort of,” I said. “What is that?”

“ ‘Joy to the World,’ ” he said, holding it so I could see. Mrs. Carlson must have moved to get a better shot of the Altairi because there was no one blocking the view of them as they followed Dr. Morthman. I tried to see if they were glaring at anything in particular—the strollers or the Christmas decorations or the Victoria’s Secret mannequins or the sign for the restrooms—but if they were, I couldn’t tell.

“This way,” Dr. Morthman said on the tape, “I want them to see Santa Claus.”

“Okay, it’s right about here,” Mr. Ledbetter said. “Listen.”

“ ‘While shepherds watched . . .’ ” the Muzak choir sang tinnily.

I could hear Reverend Thresher saying, “Blasphemous!” and one of the girls asking, “Mr. Ledbetter, after we sing can we go to McDonald’s?” and the Altairi abruptly collapsed onto the floor with a floomphing motion, like a crinolined Scarlett O’Hara sitting down suddenly. “Did you hear what they were singing?” Mr. Ledbetter said.

“No—”

“ ‘All seated on the ground.’ ” Here,” he said, rewinding. “Listen.”

He played it again. I watched the Altairi, focusing on picking out the sound of the Muzak through the rest of the noise. “ ‘While shepherds watched their flocks by night,’ ” the choir sang, “ ‘all seated on the ground.’ ”

He was right. The Altairi sat down the instant the word “seated” ended. I looked at him.

“See?” he said happily. “The song said to sit down and they sat. I happened to notice it because I was singing along with the Muzak. It’s a bad habit of mine. The girls tease me about it.”

But why would the Altairi respond to the words in a Christmas carol when they hadn’t responded to anything else we’d said to them over the last nine months? “Can I borrow this videotape?” I asked. “I need to show it to the rest of the commission.”

“Sure,” he said and asked Mrs. Carlson.

“I don’t know,” she said reluctantly. “I have tapes of every single one of Belinda’s performances.”

“She’ll make a copy and get the original back to you,” Mr. Ledbetter told her. “Isn’t that right, Meg?”

“Yes,” I said. 

“Great,” he said. “You can send the tape to me, and I’ll see to it Belinda gets it. Will that work?” he asked Mrs. Carlson.

She nodded, popped the tape out, and handed it to me. “Thank you,” I said and hurried back over to Dr. Morthman, who was still arguing with the mall manager.

“You can’t just close the entire mall,” the manager was saying. “This is the biggest profit period of the year—”

“Dr. Morthman,” I said, “I have a tape here of the Altairi sitting down. It was taken by—”

“Not now,” he said. “I need you to go tell Leo to film everything the Altairi might have seen.”

“But he’s taping the Altairi,” I said. “What if they do something else?” but he wasn’t listening.

“Tell him we need a video-record of everything they might have responded to, the stores, the shoppers, the Christmas decorations, everything. And then call the police department and tell them to cordon off the parking lot. Tell them no one’s to leave.”

“Cordon off—!” the mall manager said. “You can’t hold all these people here!”

“All these people need to be moved out of this end of the mall and into an area where they can be questioned,” Dr. Morthman said.

“Questioned?” the mall manager, almost apoplectic, said.

“Yes, one of them may have seen what triggered their action—”

“Someone did,” I said. “I was just talking to—”

He wasn’t listening. “We’ll need names, contact information, and depositions from all of them,” he said to the mall manager. “And they’ll need to be tested for infectious diseases. The Altairi may be sitting down because they don’t feel well.”

“Dr. Morthman, they aren’t sick,” I said. “They—”

“Not now,” he said. “Did you tell Leo?”

I gave up. “I’ll do it now,” I said and went over to where Leo was filming the Altairi and told him what Dr. Morthman wanted him to do.

“What if the Altairi do something?” he said, looking at them sitting there glaring. He sighed. “I suppose he’s right. They don’t look like they’re going to move anytime soon.” He swung his camera around and started filming the Victoria’s Secret window. “How long do you think we’ll be stuck here?”

I told him what Dr. Morthman had said.

“Jeez, he’s going to question all these people?” he said, moving to the Williams-Sonoma window. “I had somewhere to go tonight.”

All these people have somewhere to go tonight, I thought, looking at the crowd—mothers with babies in strollers, little kids, elderly couples, teenagers. Including fifty middle-school girls who were supposed to be at another performance an hour from now. And it wasn’t the choir director’s fault Dr. Morthman wouldn’t listen.

“We’ll need a room large enough to hold everyone,” Dr. Morthman was saying, “and adjoining rooms for interrogating them,” and the mall manager was shouting, “This is a mall, not Guantanamo!”

I backed carefully away from Dr. Morthman and the mall manager and then worked my way through the crowd to where the choir director was standing, surrounded by his students. “But, Mr. Ledbetter,” one of them was saying, “we’ll come right back, and the pretzel place is right over there.”

“Mr. Ledbetter, could I speak to you for a moment?” I said.

“Sure. Shoo,” he said to the girls.

“But, Mr. Ledbetter—”

He ignored them. “What did the commission think of the Christmas carol theory?” he asked me.

“I haven’t had a chance to ask them. Listen, in another five minutes they’re going to lock down this entire mall.”

“But I—”

“I know, you’ve got another performance and if you’re going to leave, you’d better do it right now. I’d go that way,” I said, pointing to the east door.

Thank you,” he said earnestly, “but won’t you get into trouble—?”

“If I need your choir’s depositions, I’ll call you,” I said. “What’s your number?”

“Belinda, give me a pen and something to write on,” he said. She handed him a pen and began rummaging in her backpack.

“Never mind,” he said, “there isn’t time.” He grabbed my hand and wrote the number on my palm.

“You said we aren’t allowed to write on ourselves,” Belinda said.

“You’re not,” he said. “I really appreciate this, Meg.”

“Go,” I said, looking anxiously over at Dr. Morthman. If they didn’t go in the next thirty seconds, they’d never make it, and there was no way he could round up fifty middle-school girls in that short a time. Or even make himself heard.

“Ladies,” he said, and raised his hands, as if he were going to direct a choir. “Line up.” And to my astonishment, they instantly obeyed him, forming themselves silently into a line and walking quickly toward the east door with no giggling, no “Mr. Ledbetter—?” My opinion of him went up sharply.

I pushed quickly back through the crowd to where Dr. Morthman and the mall manager were still arguing. Leo had moved farther down the mall to film the Verizon Wireless store and away from the east door. Good. I rejoined Dr. Morthman, moving to his right side so if he turned to look at me, he couldn’t see the door.

“But what about bathrooms?” the manager was yelling. “The mall doesn’t have nearly enough bathrooms for all these people.”

The choir was nearly out the door. I watched till the last one disappeared, followed by Mr. Ledbetter.

“We’ll get in portable toilets. Ms. Yates, arrange for Portapotties to be brought in,” Dr. Morthman said, turning to me, and it was obvious he had no idea I’d ever been gone. “And get Homeland Security on the phone.”

“Homeland Security!” the manager wailed. “Do you know what it’ll do to business when the media gets hold—” He stopped and looked over at the crowd around the Altairi.

There was a collective gasp from them and then a hush. Someone must have turned the Muzak off at some point because there was no sound at all in the mall. “What—? Let me through,” Dr. Morthman said, breaking the silence. He pushed his way through the circle of shoppers to see what was happening.

I followed in his wake. The Altairi were slowly standing up, a motion somewhat like a string being pulled taut.“Thank goodness,” the mall manager said, sounding infinitely relieved. “Now that that’s over, I assume I can reopen the mall.”

Dr. Morthman shook his head. “This may be the prelude to another action, or the response to a second stimulus. Leo, I want to see the video of what was happening right before they began to stand up.”

“I didn’t get it,” Leo said.

“Didn’t get it?”

“You told me to tape the stuff in the mall,” he said, but Dr. Morthman wasn’t listening. He was watching the Altairi, who had turned around and were slowly glide-waddling back toward the east door.

“Go after them” he ordered Leo. “Don’t let them out of your sight, and get it on tape this time.” He turned to me. “You stay here and see if the mall has surveillance tapes. And get all these people’s names and contact information in case we need to question them.”

“Before you go, you need to know—”

“Not now. The Altairi are leaving. And there’s no telling where they’ll go next,” he said, and took off after them. “See if anyone caught the incident on a videocamera.”

 

As it turned out, the Altairi went only as far as the van we’d brought them to the mall in, where they waited, glaring, to be transported back to DU. When I got back, they were in the main lab with Dr. Wakamura. I’d been at the mall nearly four hours, taking down names and phone numbers from Christmas shoppers who said things like, “I’ve been here six hours with two toddlers. Six hours!” and “I’ll have you know I missed my grandson’s Christmas concert.” I was glad I’d helped Mr. Ledbetter and his seventh-grade girls sneak out. They’d never have made it to the other mall in time.

When I was finished taking names and abuse, I went to ask the mall manager about surveillance tapes, expecting more abuse, but he was so glad to have his mall open again, he turned them over immediately. “Do these tapes have audio?” I asked him, and when he said no, “You wouldn’t also have a tape of the Christmas music you play, would you?”

I was almost certain he wouldn’t—Muzak is usually piped in—but to my surprise he said yes and handed over a CD. I stuck it and the tapes in my bag, drove back to DU and went to the main lab to find Dr. Morthman. I found Dr. Wakamura instead, squirting assorted food court smells—corn dog, popcorn, sushi—at the Altairi to see if any of them made them sit down. “I’m convinced they were responding to one of the mall’s aromas,” he said.

“Actually, I think they may have—”

“It’s just a question of findng the right one,” he said, squirting pizza at them. They glared.

“Where’s Dr. Morthman?”

“Next door,” he said, squirting essence of funnel cake. “He’s meeting with the rest of the commission.”

I winced and went next door. “We need to look at the floor coverings in the mall,” Dr. Short was saying. “The Altairi may well have been responding to the difference between wood and stone.”

“And we need to take air samples,” Dr. Jarvis said. “They may have been responding to something poisonous to them in our atmosphere.”

“Something poisonous?” Reverend Thresher said. “Something blasphemous, you mean! Angels in filthy underwear! The Altairi obviously refused to go any farther into that den of iniquity, and they sat down in protest. Even aliens know sin when they see it.”

“I don’t agree, Dr. Jarvis,” Dr. Short said, ignoring Reverend Thresher. “Why would the air in the mall have a different composition from the air in a museum or a sports arena? We’re looking for variables here. What about sounds? Could they be a factor?”

“Yes,” I said. “The Altairi were—”

“Did you get the surveillance tapes, Miss Yates?” Dr. Morthman cut in. “Go through and cue them up to the point just before the Altairi sat down. I want to see what they were looking at.”

“It wasn’t what they were looking at,” I said. “It was—”

“And call the mall and get samples of their floor coverings,” he said. “You were saying, Dr. Short?”

 

I left the surveillance tapes and the lists of shoppers on Dr. Morthman’s  desk, and then went down to the audio lab, found a CD player, and listened to the songs: “Here Comes Santa Claus,” “White Christmas,” “Joy to the World”—

Here it was. “While shepherds watched their flocks by night, all seated on the ground, the angel of the Lord came down, and glory shone around.” Could the Altairi have thought the song was talking about the descent of their spaceship? Or were they responding to something else entirely, and the timing was simply coincidental?

There was only one way to find out. I went back to the main lab, where Dr. Wakamura was sticking lighted candles under the Altairi’s noses. “Good grief, what is that?” I asked, wrinkling my nose.

“Bayberry magnolia,” he said.

“It’s awful.”

“You should smell sandalwood violet,” he said. “They were right next to Candle in the Wind when they sat down. They may have been responding to a scent from the store.”

“Any response?” I said, thinking their expressions, for once, looked entirely appropriate.

“No, not even to spruce watermelon, which smelled very alien. Did Dr. Morthman find any clues on the security tapes?” he asked hopefully.

“He hasn’t looked at them yet,” I said. “When you’re done here, I’ll be glad to escort the Altairi back to their ship.”

“Would you?” he said gratefully. “I’d really appreciate it. They look exactly like my mother-in-law. Can you take them now?”

“Yes,” I said and went over to the Altairi and motioned them to follow me, hoping they wouldn’t veer off and go back to their ship since it was nearly nine o’clock. They didn’t. They followed me down the hall and into the audio lab. “I just want to try something,” I said and played them “While Shepherds Watched.”

“ ‘While shepherds watched their flocks,’ ” the choir sang. I watched the Altairi’s unchanging faces. Mr. Ledbetter was wrong, I thought. They must have been responding to something else. They’re not even listening.

“ ‘. . . by night, all seated . . .’ ”

The Altairi sat down.

I’ve got to call Mr. Ledbetter, I thought. I switched off the CD and punched in the number he’d written on my hand. “Hi, this is Calvin Ledbetter,” his recorded voice said. “Sorry I can’t come to the phone right now,” and I remembered too late he’d said he had a rehearsal. “If you’re calling about a rehearsal, the schedule is as follows: Thursday, Mile-High Women’s Chorus, eight pm, Montview Methodist, Friday, chancel choir, eleven am, First Presbyterian, Denver Symphony, two pm—” It was obvious he wasn’t home. And that he was far too busy to worry about the Altairi.

I hung up and looked over at them. They were still sitting down, and it occurred to me that playing them the song might have been a bad idea, since I had no idea what had made them stand back up. It hadn’t been the Muzak because it had been turned off, and if the stimulus had been something in the mall, we could be here all night. After a few minutes, though, they stood up, doing that odd pulled-string thing, and glared at me. “ ‘While shepherds watched their flocks by night,’ ” I said to them, “ ‘all seated on the ground.’ ”

They continued to stand.

“ ‘Seated on the ground,” I repeated. “Seated. Sit!”

No response at all.

I played the song again. They sat down right on cue. Which still didn’t prove they were doing what the words told them to do. They could be responding to the mere sound of singing. The mall had been noisy when they first walked in. “While Shepherds Watched” might have been the first song they’d been able to hear, and they’d sit down whenever they heard singing. I waited till they stood up again and then played the two preceding tracks. They didn’t respond to Bing Crosby singing “White Christmas” or to Julie Andrews singing “Joy to the World.” Or to the breaks between songs. There wasn’t even any indication they were aware anyone was singing.

“ ‘While shepherds watched their flocks by-y night . . .’ ” the choir began. I tried to stay still and keep my face impassive, in case they were responding to nonverbal cues I was giving them. “ ‘. . . ah-all seated—’ ”

They sat down at exactly the same place, so it was definitely those particular words. Or the voices singing them. Or the particular configuration of notes. Or the rhythm. Or the frequencies of the notes.

Whatever it was, I couldn’t figure it out tonight. It was nearly ten o’clock. I needed to get the Altairi back to their spaceship. I waited for them to stand up and then led them, glaring, out to their ship, and went back to my apartment.

The message light on my answering machine was flashing. It was probably Dr. Morthman, wanting me to go back to the mall and take air samples. I hit play. “Hi, this is Mr. Ledbetter,” the choir director’s voice said. “From the mall, remember? I need to talk to you about something.” He gave me his cell phone number and repeated his home phone, “in case it washed off. I should be home by eleven. Till then, whatever you do, don’t let your alien guys listen to any more Christmas carols…

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"All Seated on the Ground " by Connie Willis, copyright © 2007, with permission of the authors.

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