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On Books by Peter Heck


AN EVIL GUEST

By Gene Wolfe

Tor,
$25.95 (hc)
ISBN: 9780765314703

Wolfe, one of the genre’s finest stylists, offers up a story that combines Lovecraftian atmosphere with elements of a noir detective story, and a dark romance—all set against a science fiction background, roughly one hundred years from now.

The main characters are Gideon Chase, a brilliant investigator whose powers border on the magical; Bill Reis, a returnee from the planet Woldercan who has uncanny but dangerous powers; and Cassie Casey, an actress who ends up involved with both. The story begins as a US president (who somewhat resembles the second Bush) attempts to hire Chase to investigate Reis, whom the government believes to be a spy. Chase sets a price that the president balks at; nonetheless, at the beginning of the second chapter, Cassie gets a note from Chase offering to make her rich—and a star—if she will help him in an investigation.

The story then turns into a series of encounters between Cassie and the two men—each of whom she finds vastly attractive, and each of whom has much to offer. Cassie finds herself suddenly possessed with the kind of charisma that makes her the object of all eyes—the magic of star power. But she is also caught up in sinister webs of intrigue, from both Chase and Reis.

Without any clear explanation, Cassie goes through a series of strange, violent events. Creatures similar to Lovecraft’s night gaunts come to her window; the plot of a show Reis has written for her somehow seems to be happening in real life. Eventually, events come to a climax on an isolated Pacific island where the natives worship her as a queen, and where emissaries of a sinister undersea deity emerge, evidently hoping to abduct her.

Wolfe plays the Lovecraftian themes lightly, evoking eldritch horrors but never entirely letting them take over the story. Instead, he lets Cassie’s love for the two powerful men in her life have the emotional center of the story. The plot builds with the apparent logic of a detective story; but just as the reader gets ready to seize on one set of clues, Wolfe changes direction and leaps into a new set of complications. Ultimately, the story has a dreamlike structure in which supernatural powers, incredible reverses of fortune, sudden danger, vast wealth, and exotic backgrounds are melded into a whole that transcends its incongruous parts.

Wolfe is one of the very few writers who could bring off such a tour de force. Highly recommended.


THE WORD OF GOD

By Thomas M. Disch

Tachyon,
$14.95 (TP)
ISBN: 9781892391773

The recent death of Disch—just a few days ago, as I write—makes the appearance of this book an especially poignant occasion. His audacious imagination, his fierce refusal to give in to conventional ideas, and his dark humor—which will make some readers very uncomfortable—are all on brilliant display in this satiric masterpiece.

The title states the central trope of the book: Disch declares himself divine, and this volume is his revelation. Not surprisingly, the “teachings” often take the form of parables, and eventually a sort of plot begins to emerge as one follows another. In between, Disch offers hints of his divine laws, showing the kind of life he wants us poor mortals to lead. And, inevitably, there are jabs at other gods and other revelations.

One parable has Jesus and St. Peter visiting Earth, and attending a showing of Mel Gibson’s “The Passion of the Christ.” Another chapter recounts Disch’s baptism by Reverend Billy, a backwoods prophet who runs a children’s zoo. At other points, Disch relates episodes from his own pre-divine life, bits of poetry, observations on literature, music, and life, and general rules for living.

He offers two key teachings: one is the admonition for the human race to stop breeding, and the other the prohibition of killing. He’s serious about the latter—no exceptions for execution of criminals or  “good” wars. The former—well, it would certainly do a lot to slow down environmental degradation caused by human agency. Of course, that would require significant portions of the race to convert to Dischism—a prospect even he seems unlikely to have given any high probability.

Disch is aware of the key issues any religion—and by implication, any god—must address. He flatly denies personal responsibility for evil. However, he accepts that he must somehow account for death. After a brief survey of death gods in other religions—notably Kali, whose bloodthirstiness he deplores—he offers two short poems on death, then a longer one—an elegy for Philip K. Dick, who serves as the anti-hero to Disch’s divinity.

Given the high regard for Dick’s work, Disch’s choice of that author as the antagonist will bother a fair number of readers. One could speculate on the reasons; the bottom line, here, is that Dick is shown being sent from Hell back in time to prevent Disch’s birth by killing his father before his conception. Disch takes advantage of a historical coincidence to postulate that his real father was Thomas Mann—who did visit Minneapolis a few months before Disch’s birth.

The later pages of the book offer less and less of the theology of Dischism and follow the Dick plot—in which the author of The Man in the High Castle stalks the great German author, convinced that Mann’s death will bring about the triumph of Naziism and the perpetual presidency of Phil Dick.

Disch probably knew that many readers would find this satiric portrayal of an SF icon distasteful. Ironically, the people most likely to buy this book will probably find the Dick theme more offensive than Disch’s undisguisedly hostile gibes at radical Islam or even his writing off of the Christmas tsunami that killed tens of thousands as “shit happens.” Disch never was one to coddle his readers’ sensibilities, and there are bits here to make almost anyone uncomfortable.

But this is a book worth sticking with. Disch was one of our most gifted writers, and even when he is being insufferable, he has something to offer. If you can’t find this one, then go back and read Wings of Song or Camp Concentration. They’re worth searching for.

We should have had many more books from him, but we can cherish the ones we did get.


HAVEMERCY

by Jaida Jones & Danielle Bennett

Bantam Spectra,
$22.00 (hc)
ISBN: 9780533806960

A debut fantasy with steampunk overtones, this one is set in a society reminiscent of late imperial Russia, where mechanical dragons act as fighter-bombers in an apparently hopeless war.

The book follows four main characters: Margrave Royston, a magician exiled for seducing the crown prince of an allied nation; Hal, a country boy eager for a more adventurous life; Thom, a scholar sent to teach the dragon pilots civilized manners; and Rook, the wildest and most violent of the pilots. They are brought together in two parallel plots. One has Hal assigned to keep Royston out of his country relatives’ way, the other has Thom struggle to get the flyers to accept his teachings, with Rook the most opposed to discipline of any sort.

The story is told from the point of view of each in turn, which gives the reader several wildly different takes on the society they inhabit. Thom and Hal are bookish in different ways, although both from humble origins. Royston and Rook are wilder, though from different ends of the social spectrum. And while Royston is the epitome of sophistication, he can pass along only a fraction of his knowledge to his new protégé. For his part, Rook is a jumped-up street thug whose ability to fly a dragon can’t conceal his viciousness as he hazes and taunts Thom.

Gradually, the parts of the story begin to fit together. The war ia forcing the pilots to drive themselves and their dragons harder. The exiled magicians—including Royston—are recalled to lend their powers to the war effort. Hal and Thom begin to understand that their own talents are essential to the final outcome.

The plot culminates in a climactic battle, but not before an internal crisis hits the magicians. At the same time, the dragons and their riders must overcome their own crisis. The two crises are related, of course, and their solution is brought about by the two characters who don’t quite “belong” to the closed societies into which they have been introduced.

The authors show themselves adept at  strong world building. The style has echoes of Samuel R. Delany’s work of the mid-sixties, quite an achievement for two first novelists. It’s worth keeping an eye out for whatever they do next.


SINGULARITY’S RING

by Paul Melko

Tor,
$24.95 (hc)
ISBN: 9780765317773

This debut novel takes place sometime after the bulk of the human race has disappeared into the Singularity. The remaining population on Earth has turned to group consciousness, built around small telepathic “pods,” each member of which contributes a particular talent.

The story follows one particular group, which calls itself Apollo Papadopolous. Its five members—Strom, Meda, Quant, Manuel, and Moira—have been raised together, and we meet them on a training mission in deep winter. An avalanche buries the camp of an adjacent team, and Strom goes to try to help; then another avalanche buries Apollo’s tent, and Strom believes himself orphaned. But his physical strength—his salient quality—enables him to save both teams, and in the process he discovers a group of bears that appear to have formed a pod—though nobody believes him when he reports it.

Sent to recuperate from its ordeal, the pod encounters another crisis, this time seen through the eyes of Meda, the group’s interface with others. A survivor of the pre-singularity human community, Malcolm Leto seduces Meda, planning to use her to convert others to his plan to recapture the high technology left behind by those who have escaped into the Singularity. This time, the rest of the team intervenes to save her.

Their next test is in space. They are sent to an orbiting station to learn piloting, as candidates to captain a starship. Now they seem to have drawn still another kind of unwanted attention, as they are singled out as possible subversives by military operatives. With the help of another pod, they escape back to earth—but find themselves the objects of a government manhunt.

Escaping, they must confront the mystery of their origin. But in facing their challenges, they learn to meld themselves more completely into a single unit—a true symbiosis of five talents and five individual consciousnesses. Melko provides a credible mechanism for the creation of the pod, and portrays a future in which its existence makes sense.

One of the few recent works that builds on the idea of Sturgeon’s landmark novel, More than Human. This is an impressive first novel for Melko.


DOGS

By Nancy Kress

Tachyon,
$14.95 (tp)
ISBN: 9781892391780

Kress’s latest is probably best described as a near-future techno-thriller, with a touch of Stephen King.

The story takes place in Tyler, a small town in Western Maryland, a once-rural area that’s turning into a bedroom community for Washington. A recent arrival in town is Tessa Sanderson, recently separated from the FBI after the accidental death of her husband, an Arab-American businessman. As the book begins, she gets a phone call from her old boss. He says that her husband’s name has turned up in email intercepts; maybe she can shed light on it. Tessa, who knows the Bureau cut her loose because of her husband’s nationality, is uninterested in cooperating. More anti-Arab paranoia, she figures.

 In the same town, a number of dogs have suddenly turned vicious, attacking their families. Jess Langstrom, Tyler’s animal control officer, has never seen anything like it. The attacks are coming from normally docile breeds, and a large number of the victims are children. The situation quickly overwhelms the local hospital and the public safety officers. What do you do when every dog in town—a country town, where many older residents are used to letting their dogs run free—must be treated as a potential killer?

Langstrom’s response is to lose himself in work, making sure that every animal is accounted for. When the feds come in, recognizing that the situation threatens to overwhelm the local authorities, he becomes a pawn for government agencies with their own power-seeking agendas. But his knowledge of the turf means they can’t entirely reject his advice and expertise. He keeps working, even as the threat seems ready to spiral out of control.

Meanwhile, Tessa becomes aware that the email messages sent to her husband have the Arabic word for “dog” repeated several times. Afraid to contact her old bosses, she begins her own search through the web of his old acquaintances, trying to find who has contacted him—and what, if anything, it has to do with Tyler’s emergency. Not surprisingly, it turns out to have everything to do with it.

Kress builds the plot piece by piece, dropping clues that hint at the way things are going to turn out but never let the reader see quite far enough ahead to guess the outcome. Tessa, putting her old tradecraft to work, begins to sort out the malevolent plan behind the epidemic of canine violence. Eventually she puts together the traces of evidence that lead her to a solution—and a confrontation.

Kress builds the tension and sheer terror of the situation with great effect, keeping the reader off guard even when the solution seems to be in sight. The conclusion is eminently satisfactory—and by no means too pat. Fine work by one of our most versatile professionals.


UPGRADE ME:
Our Amazing Journey to Human 2.0

by Brian Clegg

St. Martin’s,
$24.95 (hc)
ISBN: 9780312371579

Human enhancement—cyborgs, life extension, vastly increased intelligence, and the like, are the very stuff of SF—usually ending up with some variation of the Frankenstein theme. Clegg, a British science writer, argues in this provocative book that we began extending our biological capabilities almost as soon as our ancestors came out of the trees.

According to Clegg, the key imperatives of human life have been staying alive, reproducing, defending ourselves, improving our brains, and healing injuries. Each of these led our ancestors to adopt strategies that separated them from the animals around them.

Cheating death began with the use of cave shelters, weapons, and fire to keep predators at bay. Now, indefinitely long life spans may be within our reach though genetic manipulation and the use of microbots to repair our bodies from within.

Making ourselves attractive to the opposite sex led to clothing, hairdressing, and simple cosmetics—some of which can be documented in paleolithic burials. The “Iceman,” a hunter from roughly 3,000 bce whose frozen body was discovered in the Italian Alps in 1991, had nearly sixty tattoos. Dieting, body-building, and cosmetic surgery are of slightly more recent vintage, but still well short of what might be done with advanced technology.

We humans have greatly benefited from the use of tools, ranging from basic farming implements to the highest technology our societies have created. But it’s easy to overlook the other, subtler tools that we’ve been using almost as long as we’ve been human: language, fire, animals trained to serve our purposes.

Brain enhancement can be as simple as the morning coffee. It both wakes us up and improves our ability to concentrate. Less obvious, but far-reaching enhancements became available with the invention of writing: a human plus a set of reference books—or, nowadays, a computer database or the internet—has far more information available at the fingertips than one relying on the unaided brain.

But the properly trained unaided brain is capable of amazing feats. One powerful tool is visualization: using a mental image of a building or landscape as a mnemonic for information one wants to retain, assigning each fact to a specific location.

Not many people are likely to include medicine among things that were better in the “good old days.” Really effective advances in the medical arts only begin in the nineteenth century, when anesthetic, antiseptics, and inoculation began to eliminate causes of death that, until then, had been inescapable facts of life. But even in ancient times mechanical aids such as canes and crutches were known, and wheelchairs appear to have been around in late Roman times. Eyeglasses date at least to the Renaissance.

Nowadays, a substantial portion of the population is walking around with artificial replacements or enhancements—from plastic lenses in our eyes to artificial limbs and pacemakers in the heart. In time, we may be able to use mechanical aids on a much more radical level, making ourselves essentially cyborgs—amalgams of organism and computer.

Clegg doesn’t put much stock in the Singularity or other more radical predictions for the future of the race. But he is persuasive as he argues that enhancement is not just a future probability, but has always been one of the most central characteristics of human culture.

In short, you don’t need to wait for the upgrade to Human 2.0—you’ve already got it. Enjoy.

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Copyright

"On Books" by Peter Heck, copyright © 2009, with permission of the author.

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